In Classical China, crafted artifacts offered a material substrate for abstract thought as graphic paradigms for social relationships. Focusing on the fifth to second centuries B.C., Martin Powers explores how these paradigms continued to inform social thought long after the material substrate had been abandoned. In this detailed study, the author makes the claim that artifacts...(展开全部)

A richly illustrated sourcebook of two-dimensional pattern and three-dimensional ornamentation, for designers everywhere and anyone interested in visual culture. This richly illustrated, easy-to-navigate sourcebook of surface pattern and three-dimensional ornamentation presents more than one thousand historic and contemporary examples from around the world, each one succinctly ...(展开全部)

本书作者把研究对象确定在中国古代社会中的法律，以期对中国历史上的法律提供一种社会学的解释。在兼跨社会学、历史学、法律这三个学科领域之间，开创了法律史与社会史结合的研究范式，形成了一种新的学术研究体系，被称为“法律社会史”。本书是这一领域的经典著作，初版至今已60余年，并有作者自己的英文译本传世，在西方汉学界广有影响。

本书作者把研究对象确定在中国古代社会中的法律，以期对中国历史上的法律提供一种社会学的解释。在兼跨社会学、历史学、法律这三个学科领域之间，开创了法律史与社会史结合的研究范式，形成了一种新的学术研究体系，被称为“法律社会史”。本书是这一领域的经典著作，初版至今已60余年，并有作者自己的英文译本传世，在西方汉学界广有影响。

Society and the Supernatural in Song China is at once a meticulous examination of spirit-possession and exorcism in the twelfth and thirteenth centuries and a social history of the full panoply of China's religious practices and practitioners at the moment when she was poised to dominate the world economy. Although the Song dynasty (960-1276) is often identified with the establ...(展开全部)

Popular operas in late imperial China were a major part of daily entertainment, and were also important for transmitting knowledge of Chinese culture and values. In the twentieth century, however, Chinese operas went through significant changes. During the first four decades of the 1900s, led by Xin Wutai (New Stage) of Shanghai and Yisushe of Xi’an, theaters all over China exp...(展开全部)

The first study in English to offer a systematic introduction to the Chinese pantheon of divinities. It challenges received wisdom about Chinese popular religion, which, until now, presented all Chinese deities as mere functionaries and bureaucrats. The essays in this volume eloquently document the existence of other metaphors that allowed Chinese gods to challenge the traditio...(展开全部)